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IGBO RESTORATION 187 #GODOFCRUD93🩸
𝗪𝗛𝗜𝗧𝗘𝗡𝗘𝗦𝗦 𝗜𝗦 𝗛𝗘𝗟𝗟 𝟭𝟴𝟳 #𝗖𝗨𝗧𝗗𝗘𝗠𝗢𝗙𝗙𝟵𝟯 🗡
CC: ALA'S PIKINS 111
𝗧𝗛𝗘 𝗠𝗢𝗧𝗛𝗘𝗥𝗟𝗔𝗡𝗗 𝟭𝟰𝟯 🌍 𝗚𝗢𝗗 𝗜𝗦 𝗪𝗢𝗠𝗫𝗡 𝟭𝟰𝟯 🌱
An Igbo Cyber Shrine
In this video I discuss Ala (also known as Ali, Ani, Ane) The Goddess of the Earth in Igbo cosmology. Ala is the mother, guardian, and judge of the living and dead. Ala is the source of reincarnation, justice, authority and righteousness in Odinala.
THE DIVINE FEMININE = ALL ROADS LEAD TO $HE = 171 (9)
Divine Feminine, Rise Up Now < for those who have an X chromosome 🙏🏿
"It is important to remember that Womxn aka Hua and Ala are one. All feminine existences are one single entity in the Igbo thought system. It is for this reason that a violation against Womxn is a violation against The Universe Herself. At the same time what Ala can give which is birth, rebirth and abundance also come from/through the Womxn. Often female children are given names that allude to wealth, motherhood, success and abundance for this reason."
"One divinity, was beyond the capriciousness of Igbo men: that divinity is neither Igwe, nor even Chukwu, but Ala, the Goddess of the Earth. She was the one deity, which no man or woman and no community could afford to offend, much less discard.
If ever there was a supreme God among the Igbo it was Ala. A crisis in our institutions has obscured this fact."
— M. J. C. Echeruo (1979), "Afamefuna: A Matter of Identity."
🌬MOTHER = NATURE = ALPHA & OMEGA (79)
Clay figure of Ala, ‘earth goddess’, in an Mbari votive shrine, Urata Igbo. Photo: Wellcome Library, London.
If you mess with me
You mess with God
I mean it and I quote Gye Nyame
I only fear Jah
Made in Her image
So I melanate for that RA
Now clap, clap, clap
For original mxn
My God
It's Black, Black, Black
Aboriginal mxn
Oshun, Protect ¥our $elf
▁▁▁▁▁▁▁▁▁▁▁▁
MBARI HOUSE 111
MBARI (ART)
Mbari is a visual art form practiced by the Igbo people in southeast Nigeria consisting of a sacred two- story house constructed as a propitiatory rite. Mbari houses of the Owerri-Igbo, which are large opened-sided square planned shelters contain many life-sized, painted figures (sculpted in mud to appease the Alusi (deity) and Ala, the earth goddess, with other deities of thunder and water). Mbari houses are made as a gift to Ala, as a way to acknowledge Ala's charitable and overarching presence. Some Mbari houses are dedicated strictly and solely to Ala. Sometimes, however, other gods are represented along with Ala in the structure. Other sculptures which could be included are of officials, craftsmen, foreigners (mainly Europeans), animals, legendary creatures and ancestors. Mbari houses take years to build and building them is regarded as sacred. Along with being representations of abundances and harmony, they are most usually created during times of peace and stability. A ceremony is performed within the structure for a gathering of town leaders. After the ritual is complete, going in or even looking at the Mbari house is considered taboo. Mbari are public shrine galleries where complex characters of Igbo mythology, folklore, and society are fleshed out in termite earth.
"Mbari is a deity closely associated with Anị, the earth goddess. She is the divine guardian of the ritualistic art form, also known as Mbari."
As an art form, Mbari is a ritual of art and peacemaking, usually undertaken to placate the earth goddess, Anị, in the event of a catastrophe befalling the community.
In his book, Mbari: Art as Process in Igboland, Herbert Cole aptly describes the concept thus: “The monument is a merging of architecture, sculpture, bas relief, and painting, designed and executed as a work of art, as well as a major offering to an unseen but ever-present God, in this case the goddess of the very Earth upon which people walk, the source of food plants and animals, and the main arbiter of tradition and moral law.”
This art form is indigenous to the Owerri people of Imo state. Only adults can participate in Mbari, which could take upwards of two years to complete.
NNEKA & IKENNA 99
NNĒ
Noun
温
1.mother
2.(informal for females) dear; pal; babe
3.mother (old use as a title before a mother's name)
The Igbo term "nne" can have multiple meanings:
The Concept of “Nne” in the Igbo World View as is Expatiated in Igbo Women August | Semantic Scholar
- Motherhood "Nne" is often used to refer to motherhood in Igbo society. In Igbo culture, the term can refer to a woman who has given birth or nurses a child.
- Slogan or slang "Nne" can also be used as a slogan or slang. For example, some say that when an Igbo man calls you "Nne", it means he has fallen for you.
NNÀ
Noun
穏
1.father
IKENNA (54)
/Ike-nna/
Gender: m
The power/strength of the father
NNEKA (45)
/Nne-ka/
Gender: f
Mother is $upreme
- Name: Nneka
- Meaning: My Mother is the Most High
- Gender: Girl
- Origin: Igbo
The name Nneka means "Mother is Supreme" or "Mother is Superior" in the Igbo language. It is derived from the Igbo words "nne" which means "mother" and "ka" which indicates superiority or importance.
See also:
NWAŃNĒ
Noun
子温
1.sibling; relative
2.(slang) term of endearment for one's mate(s) - brother, sister
The word for sibling in Igbo language is “nwanne.” It’s two words.
“Nwa” means child
“Nne” means mother.
It means mother’s child, so I don’t think you people understand how deep the word is. The child belongs to the mother, not the father. Crying won’t change this fact
Dear Igbo people, "Nwa" is Nwanne, not Nwanna.
Traditionally, children BELONG to the mother, first and foremost before anyone else.
That is why your direct sibling(s) are known your "Nwanne" and "Umunne", not "Nwanna" or "Umunna".
That is why before colonialism, children bore their mother's names.
Let's learn where we're coming from so we can move forward better.
RT for awareness.
THE MASCULINE CORE 171
UMU NWOKE IGBO TO THE UNIVERSE
PUTTING THE X BACK INTO THE XY SINCE
ONE TIME FOR THE GODDESS SENT MANDEM
BIG THINGS PENDING FOR THE UPRIGHT MEN
You couldn't dare fi come stall me
Hottest gyal 'pon the ends we dividing
I've been planning
Can't play me like no violin
No smiling
Me a go fi my thing
'Cause we go fi our own (Our own)
A so we go fi our own
Kranium, Higher Life
I sit and pray, make my mandem live long
'Cause many wan' quench the fire
Jah love gon' take us higher
Rema, Dimension
NRO-AGWU 99
"This is also why we even call Agwu "Uchechukwu" the MIND and WILL of God."
- Uchechukwu is a beautiful and meaningful name that can be given to either a boy or a girl. Originating from the Igbo culture of Nigeria, Uchechukwu is a combination of two words: 'uche' meaning 'thought' or 'intelligence' and 'chukwu' meaning 'God.' Thus, Uchechukwu can be interpreted as 'God's thoughts' or 'God's intelligence.'
- Uche is a Nigerian name originating among the Igbo people, which can mean "intention", "will", "mind", or "sense". Variants can include Uchechukwu or Uchenna (which means "God's will" or "God's intention"), Ucheoma (which means "beautiful mind"), and Uchendu (which means "thinking/thought of life").
NRO (47) - AGWU (52)
“Mmuo na mmadu na-azu afia, mana ofeke amaroo”
(Spirit and human beings are in constant communication, but the uninitiated does not know)
If you haven’t made the connection, I’m talking about the dreamscape. Whether or not you’re remembering it, you’re constantly interacting with various spirits, as well as exploring your own subconscious mind in your dreams. The Igbo word for dream is nrọ, and that is the also the name of this step. Ndi Igbo, like most people around the world, placed a very large significance to dreams. In fact, an argument could be made that the dreamland (ala nrọ) is the primary place for spiritual experiences, whether its while one is asleep or while awake (i.e a vision, known in Igbo as ihu ọhụụ).
AGWO NSI (88)
Agwu Nsi (known as Agwo Nsi in the Americas) is the Arusi of divination. The earth is inhabited by Agwu, a spiritual entity that goes beyond a mere force. Agwu possesses intellectual and volitive faculties, exerting significant influence on human affairs. Revered as the patron spirit of the dibia (diviner-healer) and the source of inspiration for exceptionally talented individuals, Agwu is closely associated with humanity's pursuit of fulfillment in society. It is believed that Agwu plays a role in enforcing various determinations, with the sick attributing their fate to him, creatively gifted individuals crediting his benevolent influence, and dibia being believed to be possessed by him.
IKENGA (47)
Alusi of Time, Success and Achievement
For the Novel by Nnedi Okorafor, see Ikenga (novel).
Ikenga (Igbo literal meaning "strength of majesty ") is a horned Alusi found among the Igbo people in southeastern Nigeria. It is one of the most popular symbols of the Igbo people. Astrologically, Ikenga’s governing planet is Mars, element is Fire and its sacred number is 3. Ikenga is mostly maintained, kept or owned by men and womxn of high reputation and integrity in the society. It comprises someone's Chi (personal god), his Ndichie (ancestors), aka Ikenga (right hand), ike (power) as well as spiritual activation through prayer and sacrifice.
Proverbs and Prayers Associated with Ikenga:
- “Ikenga chim nyelum, taa oji” (Ikenga, gift of my chi, participate in the offering)
- “Ikengam kwalu otu, njee mge ona mmuo” (As long as my Ikenga is active I can wrestle in the land of the dead)
- “Ikenga adigh ile, azilaa ya nku” (An Ikenga that is inactive, cut it for firewood)
"IKENGA"
A person's Ikenga is his passion, reason our Ancestors describe it as "the strength of a man's right arm".
IKÉNGÀ is short form of IKE-M- JI-A-GA=My driving force.
IKÉNGÀ is the Electronic Appliance, AGWỤ̀ is the electricity that powers it.
Hope you were able to decode what Ikenga and Agwu stands for now?
NDICHIE (52)
In Igbo culture, prayers to ancestors are often made to ask for long life, wealth, peace, and fairness. The Igbo believe that ancestors, or Ndiichie or Ndibunze, are men and women who lived good lives and continue to exist in the spiritual world. They also believe that ancestors protect their living descendants.
“The Ndiichie (esteemed ancestor spirits) also held a high place in traditional Igbo society. Elders have always been revered in Igbo society, and even more so after they passed onto Be Mmuo (the land of the spirits). The Ndiichie would often be consulted to offer advice to their descendants and appeal to the Alusi on their behalf. Ndi Igbo have never worshiped their ancestors only venerated them, which is no different then what Catholics do to their saints or what every country does to its national heroes. Respect and honor for the Ndiichie was shown in one way by pouring of libations while chanting incantations. Ndi Igbo believed in the concept of reincarnation and felt that the Ndiichie often reincarnated back on Earth. In fact, all Mmadu (human beings) were believed to reincarnate seven or eight times, and that depending on your karma, one either ascends or descends into another spiritual plane” – Onyemobi
Ancestral veneration is a very ancient and common practice all over the world. The Igbo people have understood the importance of honoring the Ndichie (Venerated Ancestors) in order for the civilization to survive and progress from times immemorial. One of the reasons Igbos and Africans in general are in a state of damnation is because we have forgotten how to honor our ancestors.
Figure in an ancestral shrine
Instead of developing our own culture as a people, we see Western culture as superior to our own and trap ourselves in an inferiority complex. Yes despite hardcore resistance against the Atlantic slave trade, British colonialism, and the Nigerian genocide against our people we ended up losing. Yes our Civilizations collapsed. Yes Nigeria continues to discriminate and oppress Igbo people. We have suffered a lot and nobody shall ever down play that. However, until we remember to honor our ancestors, we will continue on the path of self destruction our enemies have planted for us.
Uxurhe Ancestral Staffs
The Igbo people are one of the most ancient groups in the world. Like most African groups and civilizations in ancient times had advanced human consciousness, culture, knowledge, creativity, leadership, philosophy, science, and etc. True civilizations respect, honor, and live in accordance to Nature. We once understood the oneness of the Source/Creator (Chineke) with Creation and our relationship with Nature (Ani).
[An Igbo] spirit worker painting the walls of an mbari nearing completion. Note the double Mami Wata images at left. Photo 1930s. — Herbert Cole, 1988.
We honored and respected Ani. That is why we had rich societies and collective democratic leadership that lived by justice, order, peace, unity, and balance. Our ancestors built many ancient civilizations such as the Ugwelle (6000 BCE), Afikpo (3000 BCE), Nsukka (3000 BCE), UmuEri/UmuNri dynasties (500 BCE), Igbo Ukwu (900 CE), and etc. We developed sophisticated architecture such as the Nsude pyramids in Agbaja, Mbari structures, and etc. Igbos developed writing scripts such as Uli, Aniocha writing systems, Nsidibi, Ikwu, and many more. The level of knowledge and scientific (especially metaphysics) discoveries and practices done by the Igbo Civilizations is most likely beyond our imagination. We have a long history of achievements.
Igbo Ukwu Burial
In order for us Igbo people to really rebuild and progress, we must honor our ancestors. We shall not live exactly how our ancestors lived but revive the institutions they built that are applicable today and improve on it. How can you know what today and tomorrow will be if you don’t yesterday was? How can you know who you are if you don’t know who brought you here? The ancestors brought us here and as a mixture of all of them into one, we must know who they were to know who we are. We may say we are children of the ultimate source of all creation and life (Chineke). But through who are we children of Chineke? Who did Chineke give power to bring us into this world and gave life? The answer is our ancestors. Therefore, we must honor and respect them. To honor the ancestors is to honor ourselves and the ultimate ancestor/source of us all Chineke. Chi (God)
Bless
🦅
Be, be-fore we came to this country
We were kings and queens, never porch monkeys
There was empires in Africa called Kush
Timbuktu, where every race came to get books
To learn from black teachers who taught Greeks and Romans
Asian, Arabs and gave them gold, when
Gold was converted to money it all changed
Money then became empowerment for Europeans
The Persian military invaded
They heard about the gold, the teachings, and everything sacred
Africa was almost robbed naked
Slavery was money, so they began making slave ships
Egypt was the place that Alexander the Great went
He was so shocked at the mountains with black faces
Shot up they nose to impose what basically
Still goes on today, you see?
If the truth is told, the youth can grow
They'll learn to survive until they gain control
Nobody says you have to be gangstas, hoes
Read more, learn more, change the globe
Nas, I Can
Tell me why every time me hear bout Africa
a shackles and chains
Tell me why you try fi corrupt the little rasta man brain
And you fi tell the youths africa exist long before the middle passage
Me come fi tell the ghetto yutes dem fi wise
But babylon a brain wash the masses
Fire! dutty babylon you a go get bruise
Me a warn dem, warn dem
Fire, a say you just cya win yuh gwan lose
We a warn dem
Move yah, pack up and gwaan
Move yah, a beg you pack up and gwaan
Chronixx, Eternal Fire
THE UNBURNT 143 🧝🏿♀️🐉🔥
Igbo sounds so sweet iyah.
Even at the worst of times💀
Backstory: Nigeria's Buhari says wife, Aisha, belongs in his kitchen and “the other room”
When skeletor pretended it could get it up just to embarrass its wife. Nasty work.
@thelegendsshow you're a madman. out of this world wid it. nọgide na-enwu nwanne m 🤭☄
▁▁▁▁▁▁▁▁▁▁▁▁
THE RULER'S BACK 143
The Enlightened take things Lightly.
Everything is Everything. Mirrored Mythology. Comparative Cosmogony.
Inverted information included 🪝
(I just like the animation) 🤏🏿🧂🔍
THE ANU•NNA•KI LEGACY 171
Book overview:
Most popular series on Amazon EXPOSED HISTORY OF PLANET EARTH: This is the third book. Defines conditions on Earth during the hundreds of thousands of years our gods ruled the planet. The Anunnaki ruled Africa, the Middle East and the Americas. There is plentiful evidence that demonstrates ancient Egyptians visited Australasia and North America.
- Many intelligent species lived on Earth in those days. Some are still with us today.
- A Reptilian race that despises the human race is hidden in plain sight. These parasitic lizards hold covert positions of power in Governments and every other institution. responsible for the Industrial Military Complex and the Secret Space Program everything bad.
- The Earth has suffered numerous catastrophes in the past; both natural and not, and ancient civilizations were [utterly] destroyed.
Who are the mysterious Archons mentioned by the Gnostics and how have they hijacked our holographic reality? Answers in this and the next books in the series: World in Chaos Books 1 and 2. See also: TRUE HER STORY OF PLANET EARTH. Do you seek Enlightenment, spiritual awakening? Check out my series WORSHIP OF THE CREATOR SOURCE
— by Dr. Gary Margrove.
ANUNNAKI:
ASIA
AFRICA
ARABIA
AMERICAS
AUSTRALIA
ANTARCTICA
Europe on that bullshit
They always switching out my crew
Ab-Soul, Nibiru (Via AUЯUM)
Put you in a jungle
With the lions, tigers and the bears
Can you handle it or do you fear?
Can you manage living in despair?
Snakes are about
You gotta be weary, be aware
Can you feel the energy in the air?
Many will listen, but do not hear
What do I have to do to be clear?
Tell stories around the campfire?
And reminisce about the time when we made fire?
Little Simz, Devour
They don't know about my crew,
They don't know what I do,
They don't know about my flow,
They don't know where I go.
So Solid, They Don't Know
#UPRIGHTWORLD171
#FORTHEUPRIGHT171
FREE BIAFRA, FREE AFRICA 143 #TRIGGEROFAFRICA143
"𝗔 𝗕𝗟𝗘𝗦𝗦𝗜𝗡𝗚 𝗧𝗢 𝗔𝗙𝗥𝗜𝗖𝗔" 𝗧𝗛𝗔𝗧 𝗣𝗔𝗥𝗧
ENTIRE PLOT OF BLACK PANTHER IS ABOUT THEM STOPPING AFRICANS WORLDWIDE FROM ACHIEVING LIBERATION. THEY DIDN'T EVEN TRY TO HIDE IT. I HATE THAT FILM. BABYLON TENDRILS GOT YOUR FALSE MINDS IN A CHOKEHOLD.
FUCK WAKANDA. FUCK HOLLYWEIRD.
BIG UP KILLMONGER
MY PROTAGONIST
AND HIS PARENTS
WHITENESS HELD US BACK AS THE PORTALS 101 TO THE MODERN WORLD WERE OPENING. #ITSASIMULATION NOW THEY'RE WAVING THEIR ANTI IMAGINATION IN OUT FACES.
HALT OUR OWN EVOLUTION THEN FEED US BACK THESE BRAINWASHINGLY SHIT PLOTLINES.
THE JIG IS UP.
BLACK PANTHER IS AN ANTI BLACK PSYOP
#WORLDSTAGE #SPIRITUALWARFARE
PSYOP (n.) stands for Psychological Operations, which is a military tactic that uses psychological methods to influence people's attitudes and behaviors. PSYOPs can include propaganda, political warfare, and military deception.
How PSYOPs are used
- Military Information Support Operations (MISO) Share information with foreign audiences to influence their emotions, reasoning, and behaviors
- Military deception Use psychological warfare to deliberately mislead enemy forces during combat
- Propaganda Use communication or advertisements to influence a targeted group's way of thinking or decision-making
PSYOPs in the US Army
- PSYOP soldiers use communication skills, intelligence, and cultural sensitivity to affect the actions and opinions of foreign individuals, groups, and governments
- PSYOP soldiers work in small teams to execute missions around the world
Other names for PSYOPs Political warfare, "Hearts and Minds, and Military Information Support Operations (MISO).
Dear Black Americans,
I hate to be the one to break it to you, but the #BlackPantherMovie was not made with you in mind 😢
Everything about Disney’s “Blackest Production Ever” was strategic, including its target audience:
‘Continental Africans’
> We all know that Disney is great when it comes to creating enchanting cinematography, so we can’t be too hard on ourselves for being easily spellbound by the rich blackness displayed through the lens of Ryan Coogler.
> This movie was made for one reason, and one reason only— to ensure that the growing youth population, across the continent, rejects any ideology based upon race, or any concepts of global racial solidarity, as a means of overthrowing White hegemonic rule.
> The African continent currently has the fastest growing, and youngest, population across the planet. This poses a significant threat for the many nations seeking to disposes Africans of their homeland, in an attempt to claim African resources for their own progeny.
> For those of us who have studied the history of the Global Black Liberation Movement, we know that there have been two particular ideologies the western powers have gone out of their way, to prevent from penetrating the consciousness of Continental Africans—
> 1. African Nationalism (Garveyism)
2. Pan Africanism also referred to as Pan Negroism.
> Now, if you were unaware of this history (which many of us are), and you walked into the theatre, simply wanting to be entertained, you would be completely clueless of the many ways in which Black Panther was used to demonize these concepts for its target audience.
> Pay attention, the only two characters that have a connection with the African Diaspora are painted as treacherous, an evil villains. This was not done by mistake.
> Killmonger’s father, in many ways, represents the Continental Africans that came to the West during the mid-20th century. Many were radicalized by Black Liberation Ideology, only for them to go back to their native lands, lead revolutions, and be murdered by their own brothers.
> Our ancestor Patrice Lumumba immediately comes to mind, but there are numerous others who were met with similar fates. **The irony here is, Patrice Lumumba’s assassination was orchestrated by the same CIA that was granted a magical pass in Disney’s fictional kingdom of Wakanda.
> If I am a young ‘Continental African’ watching this film, and I’m completely devoid of any actual history regarding Pan Africansim, I’m leaving the theatre with 3 clear messages:
> 1. Black Americans are angry, and their rage will tear the world apart
2. The relationship between the Africans brought to the west in chains, and those left behind is not salvageable
3. Pan Africanism as an idea is solely focused on replacing white oppressors with black ones
> If you walked away from the theatre with this impression, then Disney’s (Read: The United States Govt) $200 million investment was money well spent. [+]
WHEN YOU KNOW BETTER YOU DO BETTER
#ALKEBULANRENAISSANCE187
BLACK WORLD 101
AFRICA FI AFRICANS, AH ONE ☂️
Africa fi Africa ah one umbrella
Big up Kwame Nkrumah and Mandela
And 'im right hand man Patrice Lumumba
Make we discuss this injustice
Stonebwoy x Gappy Ranks, Wicked
When we link up dem see how dread it is
Cutting off the enemies' energies
Kabaka Pyramid, Warrior
NEVER FORGIVE. NEVER FORGET.
ALKEBULAN FIRST 🌍 ALWAYS FORWARD👣
B IS FOR BLOODLINE
REAL AFRICANS REJECT ABRAHAMIC RELIGIONS
“I am Igbo”, Reggae Icon, Buju Banton Reveals.
The captured Igbo people that were sent to Jamaica were noted to be the most difficult to control. More slaves came from South East (Bight of Biafra) to Jamaica than any other part of Africa. Jamaica is famous for its unruly attitude, resistance to oppression and its many slave revolts. #bujubanton
Share to educate someone. 🙏🏿
Nigerian reggae artiste Saint Peter delivers a powerful anthem, "Welcome Buju Banton Home," celebrating the legendary Buju Banton's recognition of his ancestral roots, Igbo land, Nigeria. This song is a call for all Africans in the Caribbean and across the world to come back home to Mama Africa, reconnect with their heritage, and unite under one love.
"Welcome Buju, to the Motherland
Igbo people a greet you wid di love so grand"
THE GREAT REPATRIATION
#BLOODLINE88 #EXODUS88
REAL AFRICANS REJECT ABRAHAMIC RELIGIONS
REAL AFRICANS REJECT ABRAHAMIC RELIGIONS
REAL AFRICANS REJECT ABRAHAMIC RELIGIONS
AFRICANS ARE SPIRIT[UAL]
HAITIANS KNOW 144. TO THE TAKEN 123: UNU KNOW WHAT IT IS. THE BATTLE LINE HAS BEEN DRAWN 247. THE WIND HAS BLOWN, THE TIME HAS COME 321
East - turn on your reasoning
Look into dese tings, do you believe dem?
Teach - All da doctrines dem preaching
Da minute you receive it, den you join dem legions
Armies and legions, babylon religions
Nuclear and big guns, babylon religion 💥
Chronixx, Television Is The Worst
#BLACKGODS74 #BLACKPARADE74
#THEBLACKGOD88 #ALLAHUAKBAR88
₩HAT $HE $AID
REAL AFRICANS REJECT ABRAHAMIC RELIGIONS
ACAB IN BIAFRA
My culture my heritage, my blessings, my everything. If u don’t want to accept it, pack nd go western world to worship urs. Na my ancestors get that land u are spitting on.
ACAB IN BIAFRA
REAL AFRICANS REJECT ABRAHAMIC RELIGIONS
ACAB IN BIAFRA
WE EAT 🐖 FOR BREAKFAST IN ALAIGBO
"AY POLICEMAN! YOU'RE A DEAD MAN!" 🤣🤣
#PSYCHOBIDNESS #BACKONMYBULLSHIT187💣
We'll bomb on you motherfuckers, we do our job
You think you mob? Nigga, we the motherfuckin' mob
MAKAVELI 74, I HIT EM UP 101
MEN ARE WARMING UP 187
MEN ARE WARMING UP 187
I COULDN'T BE MORE PROUD😤
#BOYSIIMEN111 #ALASPIKINS111🪖
ALL MI DAWG DEM A SOLDIER 187🎖
Swear tuh yuh
All mi dawg dem ah soldier
Prince Swanny, Soldier
Nah tell you seh mi a guh shoot
But yo mi have some youth pon recruit
Who will put it pon you
Kranium, Owa Place
IGBO BOYS🩸BUCKRAS 187
MEN ARE WARMING UP 187
We burning the system we tell the youths seh fi fight gun war
Chronixx, Alpha & Omega
ALA-KEBULAN MILITARY 187
WORLDWIDE ARMIES 178 #THEPEOPLESARMY178
🪖🌍☂️
WORLDWIDE ARMIES 178 #THEPEOPLESARMY178
WORLDWIDE ARMIES 178 #THEPEOPLESARMY178
How many [Spiritually] Black People on Earth rn?
Let me step back
And observe this room
How many souls are true?
Let the truth unfold right now
Little Simz, Lane Switch
SQUAD UP
COME AS YOU ARE
STEP FORTH AND BE COUNTED
GET THE CALL 93
GET THE CALL 93
🗣📣MEN DEY‼
CUT DEM OFF 93
GET THE CALL 93
ALIEN INVASION 144
The Berlin Conference of 1884-1885 was attended by representatives from 14 European countries, the United States, and the Ottoman Empire. The main powers were Britain, France, and Germany.
(2025 marks 140/141 years since this satanic fuckery🔚)
Countries that attended:
- Britain: A major player at the conference
- France: A major player at the conference
- Germany: A major player at the conference
- Portugal: A major player at the conference
- United States: Attended the conference
- Ottoman Empire: Attended the conference
Other attendees:
- Delegates from Greece, Romania, Serbia, and Montenegro attended sessions that concerned their states, but they were not members
Purpose of the conference
The conference was held to discuss the partitioning of Africa and establish rules to divide resources among the Western countries. The conference did not provide any say for the peoples of Africa.
Results of the conference
The conference legitimized and formalized the process of European colonization of Africa. By 1900, European states "claimed" nearly 90 percent of African territory. 🤬💢
The New Colonialism: Britain's scramble for Africa's energy and mineral resources
The report reveals the degree to which British companies now control Africa’s key mineral resources, notably gold, platinum, diamonds, copper, oil, gas and coal. It documents how 101 companies listed on the London Stock Exchange (LSE) — most of them British — have mining operations in 37 sub-Saharan African countries. They collectively control over $1 trillion worth of Africa’s most valuable resources. The UK government has used its power and influence to ensure that British mining companies have access to Africa’s raw materials. This was the case during the colonial period and is still the case today.
While the scale and scope of the UK’s involvement in the exploitation of Africa’s mineral resources is staggering, so too is the trail of social, environmental and human rights abuses left in its wake. 🔚
IT IS FINISHED. #BABYLONCRUMBLING🩸🔙
AND FOREIGN "AID" IS A KICKBACK 187
CORRUPTION ALL AROUND 247 🛑
$PIRITUAL $UPERCAR
DAVID GITTENS 134
IKENGA 47
GT = 27
IKENGA GT 74 (444)
IKENGA GT 444
BLACK TO THE FUTURE 🏎💨
"The Ikenga GT, a luxury grand touring (GT) car developed in the 1960s, remains a remarkable example of automotive design blending African cultural inspiration with modern engineering. Named after Ikenga, the Igbo symbol of personal achievement and success, this car was the brainchild of David Gittens, a Black American designer and photographer who gained recognition in the British automotive industry."
The Ikenga GT is a series of three prototype GT automobile designs that were built in the United Kingdom between 1967 and 1969. The MkI, MkII and MkIII were the three styling iterations.
David Gittens is a Brooklyn-born artist and designer of Igbo ancestry who was a staff photographer at Car and Driver magazine from 1958 to 1964. In 1964 he married and moved to London England, where he did photographic work for advertising and fashion publications. In 1967 he embarked on a career in transportation design. Among his proposed projects were a gas-powered single seat city car, an electric city car, a Reliant-based three-wheeled car, an expandable six-wheeled vehicle, a small car based on the Mini Moke chassis, and a high-performance mid-engined grand touring car that became the Ikenga GT.
". . With the support of talented friends, artists, and engineers, during the very exciting mid-60s while on a creative sojourn in London. The Ikenga GTs went through three stylistic improvements, each of which incorporated the most advanced technlogy of the era - Closed circuit TV for rear vision, electronic accident warning systems, and electronic sensors for parking. Rubber moulding was incorporated in the bumpers and side trim, fluorescent lighting was used for inner-city night driving, and reflective paint was featured in the MK l GT."
This is the only known film clip of the 1968 Ikenga MKll GT Prototype 🏎
WE ARE SPIRIT FIRST. WE ALWAYS ADD UP.
WHETHER WE'RE CONSCIOUS OF IT OR NOT.
#WEADDUP74 #KWENU74
1967 BIAFRA SECCEEDED
David Gittens was busy designing for our future. He may not have been on the battlefield but an Igbo man was winning battles in his own arena and tapping into our ancient indigenous magick in order to do so. Playing his position and doing his part to drive us fwd 🧩
Ikenga: the God of success and achievement
and the Igbo equivalent to my sun and moon sign 🐏 ♈ 🔥
IKENGA (47) + GT (27) = 74
DAVID STILL ALIVE..
HOPE WE SEE 👁 TO 👁
THE GREAT REBUILD🏗🏛
CALLING ALL NDIIGBO 143
NDIIGBO DIASPORA 143
We dress a certain way, we walk a certain way
We talk a certain way, we-we paint a certain way
We-we make love a certain way, you know
All of these things we do in a different
Unique, specific way that is personally ours
We just reaching out to the solar system
We flying over bullshit, we flying over...
Beyoncé, Alien Superstar
Ohh, Bitch I'm a king
Tell me where my throne
Steady buildin my empire
The limits are my desire
Your bullshit won't take me higher
I don't need --
Rapping it since I was nine
I just don't believe the timeline
Nigga don't panic, been in that space
Different planets
Came wid our space, won't vanish...
Space Age, Guess Who
A LOT OF NIGGAS CALLING FOR BIAFRA IN A WORLD UNDER SUCH TIGHT REPTILAN CONTROL BUT WE ALL KNOW IT WOULD BE QUELLED WIDOUT THE BOSS 88. BESIDES, THEY ALL LACK VISION 88. BIAFRA IS A MAGICKAL LAND 88. LET'S TREAT IT AS SUCH. THE WAKANDA 88 OF YOUR DREAMS
FIND ME WHERE ANTIQUITY 🤝🏿 MODERNITY 369
#ANCIENTFUTURE #AFROFUTURISM
#STEAMPUNK #SOLARPOWERED
#BLACK&GOLDSTEAMPUNK187
#ORSOMETHING143
Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences.
While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history, and magic realism. The term was coined by Mark Dery, an American Cultural critic in 1993 and explored in the late 1990s through conversations led by Alondra Nelson.
Ytasha L. Womack, writer of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, defines it as "an intersection of imagination, technology, the future and liberation". She also follows up with a quote by the curator Ingrid LaFleur who defines it as "a way of imagining possible futures through a black cultural lens." Kathy Brown paraphrases Bennett Capers' 2019 work in stating that Afrofuturism is about "forward thinking as well as backward thinking, while having a distressing past, a distressing present, but still looking forward to thriving in the future."
Others have said that the genre is "fluid and malleable," bringing together technology, African culture, and "other influences."Seminal Afrofuturistic works include the novels of Samuel R. Delany and Octavia Butler; the canvases of Jean-Michel Basquiat and Angelbert Metoyer, and the photography of Renée Cox; the explicitly extraterrestrial mythoi of Parliament-Funkadelic, Herbie Hancock's partnership with Robert Springett and other visual artists, while developing the use of synthesizers, the Jonzun Crew, Warp 9, Deltron 3030, Kool Keith, Sun Ra and the Marvel Comics superhero Black Panther.
Steampunk engineering: Steampunk engineering often includes visible gears and screws, as well as analog clocks, steam-powered machines, rotating propellers, and dials.
Steampunk energy: In addition to steam power, steampunk often explores alternative energy sources like aether, solar power, and sometimes even magic(k).
Afronauts • Alchemists • Architects • Artists • Artisans • Athletes • Bakers • Boxers • Builders • Chefs • Chiefs • Dancers • Dibias • Doctors • Doulas • Engineers • Entertainers • Entrepreneurs • Explorers • Farmers • Filmmakers • Fishermxn • Footballers • Graphic Designers • Interior Designers • Inventors • Magickians • Musickians • Mechanics • Merchants • Midwives • Military • Naturalists • Nurses • Physicians • Pilots • Priest(ess) • Professors • Psychics • Sailors • Scholars • Scientists • Scribes • Soldiers • Tailors • Thespians •
Wxrriors, Wxtches, Wzrds
+ all the jobs that don't exist yet
This list is not exhaustive o!
Time is of the essence.
KPOTURU M KA ANYI EBIDO OSISO
ABIA STATE 📍
Abiriba Standard.
"I think you have to change that name from 'Small London to 'Big London' because most places in London you don't see mansions like this." #FactsOnly
@judeboyfine-kg3ni:
Abiriba even has better structures than even Abuja, am not talking about govt sky scrapers, am talking about individual houses
@africanday7337:
You can see all the houses here are newly built; barely 20 years ago there was no single building in this region; Nigerian govt bombed down to rubbles - all standing structures and looted the region dry. Miraculously they have resurfaced
@788:
Great Alaigbo, up Republic of Biafra nation.
THE ANCIENT ONES = THE GOLD STANDARD
#IGBORESTORATION187 👁🦅🪙
What we will do in the whole of Biafra will make this place🇬🇧 look like a shanty town. #AlreadySha
A Start...🏗 #AlaigboStandard🌅
"LIFE IS A DANCING MASQUERADE"
@Ụkpụrụ:
This is from a 1850′s European Christian account of the “dark races” of the West Indies. The source of this is quite vicious, especially what follows, so read with care, but I found this amusing because of the enduring reputation, even under such circumstances.
“Westernisation is not modernisation
Liberalisation is not westernisation”
Igbo nsibiri, 06-05-2015
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